Archive for March, 2011


Magic eBook Review: Magicseen Magazine

Wednesday, March 30th, 2011

Magicseen MagazineMagicseen Magazine is a European magic publication that launched in 2005. It comes out six times a year and is available in print or online format. I had heard good things about it, so I wanted to check it out for myself. I ordered the March 2009 issue with Pete Firman on the cover.

The magazine has a nice design which translates nicely to PDF format. I worried that it might be difficult to read because of the three column layout. I assumed that I would have to scroll from top to bottom multiple times on each page to read an article. Luckily, this was not the case. I could easily zoom in enough to read the text on the screen without being so close as to have to scroll around very often.  

The magazine contains the kind of things you would expect: reader letters, news, product reviews, magician profiles, trick explanations, interviews, convention coverage, etc. Each of theese were well written. Of course, the focus is on the European magic scene, which is a nice change of pace for us Americans.

Like any magazine, they must make money with ads. I would estimate that about a third of the space is dedicated to this. That’s not necessarily a bad thing in a magic publication, since I like to keep up to date on the newest products anyway.

Overall, I liked the experience of reading Magicseen on my computer. Like many of you, I would prefer to hold the physical copy in my hand as I comb through it, but it’s nice to have the option for both. If you are thinking about checking it out, Chris Wasshuber from www.Lybrary.com offers an online annual subscription for only $22. That’s not a bad deal for six issues. If you want to receive the print issues as well as the PDFs, the cost is $29.90.

If you subscribe, you will also recieve a bonus Masterclass eBook containing 61 tricks from the first 24 issues of the magazine. On top of all of that, the offer comes with a full money-back guarantee. So, they obviously stand behind their product.

Recommended.

- Available from www.Lybrary.com



Magic Book Review: The Three Types by Luke Jermay

Monday, March 28th, 2011

Unquestionably, one of the strongest mentalism effects in existence is the classic Q&A routine. When performed well it can create the impression that the performer is actually able to read minds. When the entire audience ”thinks” of details about their own lives and the mentalist begins to read them, you can be sure that everyone will be on the edge of their seats. The performer isn’t just revealing the name of a playing card or a word picked out of a book, these revelations are of an extremely personal nature.

There are many methods to accomplishing this effect. While I’ve studied a few, I don’t claim to know them all. I do know enough about the history of the plot to recognize the things that I don’t like about many of the methods. Luke’s version contains none of these issues.

  • The routine is self-contained.
  • It is a one-man effect (no assistants needed).
  • The routine happens in real time (no pre-show work).
  • The use of the billets is justified.

Here’s the ad copy:

The Three Types by Luke JermayLuke Jermay has performed his Questions & Answers routine throughout the world, including a two-year run on the Las Vegas Strip. “The Three Types” is the result of years of experimentation to create a powerful Q&A routine that could be performed in any environment with very little setup.

The most important aspect of “The Three Types,” though, is not it’s practicality, but the clever concept of “invisible billets” that lies beneath it. With a topical presentation surrounding personality tests (as made popular by websites and magazines), Luke has discovered techniques to reveal information that could apparently have never come from the brief information that the participants provide.

“The Three Types” is a triumph of careful routining and presentation, clever construction and classical methodology. Whether you’ve never performed a Q&A routine before or are looking for a contemporary, practical presentation for an existing routine, this complete ten-minute act is for you.

First, a few caveats.

Number 1- This is not the routine that Luke used in his Vegas act. He mentions in the book that the routine he uses in theatrical performances is much more involved and is not suitable for most environments. The Three Types is Luke’s solution for a powerful Q&A routine that may be performed almost anywhere.  

Number 2- If you are not an experienced performer, you will really have to work to make this routine entertaining. With most magic you can use the trick itself to drive the momentum forward (i.e. Ambitious Card). In the case of a Q&A routine, however, the pacing and flow of the routine is completely controlled by you. There are no real props to hide behind. As a result, you will really have to work on the presentation in order to make this effect pay off for you.

Number 3- This is a professional routine. You need to know what you’re getting into. If you only ever perform magic for friends and family or for a few strangers in a close up setting, this routine won’t be of much use to you. It requires an audience of people who you do not know well personally. If you reveal your brother’s thought-of card, you’re sure to get a reaction. If you tell him the name of his childhood pet, on the other hand, you’ll likely not impress anyone.

Let’s talk about what you get for your money. The book is nicely produced (it was produced by Vanishing Inc, after all) and checks in at 50 pages. You also receive a stack of Personality Test cards that allow you to begin performing the routine immediately. If you need more, you can download the PDF version from their website to print more on your own. The book is broken up into sections: Setup, Preparation Phases, Switches, etc. This is helpful since there is so much going on in the routine.

Everything is explained clearly although it may take a couple of read throughs to make sure it all sinks in. There is only a minimal amount of sleight of hand involved. If you can hold something in finger palm, you’ll have no issues. The memory work is also pretty minimal although you will want to make sure you have the procedure down cold so you can focus completely on the presentation.

Overall, I was very impressed with Luke’s thinking and the routine itself. My only gripe (and it is a fairly big one) has to do with one of the “thoughts” that Luke reads from an audience member. In short, to close the readings section of the performance, he correctly tells a spectator the last time he had sex! I’m not sure about the audiences you perform for, but I can’t imagine many scenarios where I would feel comfortable bringing this up in a paid performance. I’m not saying that that it will never be appropriate, but it certainly depends on the personalities and venue in play. That being said, the routine can be easily tweaked if you wanted to omit this question from the readings altogether. 

Billet routines that allow the mentalist to read personal thoughts from the audience have been around forever. However, Luke’s ideas make the billets “psychologically invisible” to the audience. With most billet work, it is at least conceivable that if the performer could have somehow secretly glimpsed the information, he could have revealed the information. With The Three Types this type of thinking is completely cancelled out.

For those looking at adding at Q&A routine to their mentalism performances, The Three Types is worthy of your study.

-Available for $25 from Vanishing Inc. Magic



Magic Trick Review: Switchblade by Dan Harlan

Wednesday, March 23rd, 2011

There are certainly no shortage of gaffed Three Card Monte routines in the magic marketplace. From the classic Skinner routine to flap cards and rough and smooth, it seems as if everything has been done. So why in the world am I reviewing yet another one? Well, because Switchblade is cool… that’s why!

Switchblade is a precision made utility gimmick built into a normal looking playing card. It allows you to perform vanishes, color changes, transpositions, and more. All of which can look quite good. Just take a look at the video.

The gimmick itself cannot be handled by the audience but will withstand casual scrutiny. There are no mis-indexed pips or flaps to hide. The card may be shown fully on both sides. That’s because the gimmick is built into the card. Also, the gimmick is never the card that actually changes. It is only used to effect the change of other cards. As a result, the audience should have no desire to inspect it. If they want to look at anything, it will be the card that has just transformed, which of course is perfectly normal.

There are two main routines taught on the disc (the other ones are just variations). The first is pretty much the standard Biddle Trick. However, the gimmick allows you to actually show the selection among the five cards in your hand before it cleanly vanishes and reappears face up in the center of the deck that the spectator has been holding. This is my favorite use of the gimmick discussed on the disc as it is used in a more subtle manner. The second routine is a multi-phased Three Card Monte effect where the money card never seems to be where it’s supposed to be. To make it easier to follow, the magician magically changes it to an odd back. For the finale, the card’s face changes into a Joker.

All of the tricks taught on the disc are relatively easy to do since the special card does most of the work for you. The only part that will require some experimentation is the manner in which the gimmick must be activated. Since the publisher gives this information on their website, I don’t mind telling you about the unnatural action that must be utilized to engage the special something. Basically, the cards are held at one index corner and tapped sharply against the performer’s other hand. The action takes place in an instant but it does look a little weird. Once the gimmick is engaged, however, there is no chance of it failing. It is very reliable as long as it doesn’t become bent in your pocket or something like that.

Carrying around a gimmick is always a bit of a hassle. And if you’re thinking to yourself that all of these things could be easily accomplished via other methods, you are absolutely correct. If you are a beginner to card magic, you will certainly get a lot of mileage out of Switchblade. Seasoned pros, however, will have to decide for themselves whether it’s worth carrying something extra to perform the kind of visual effects that this gimmick makes possible.

- Available for $24.95 from Paper Crane Magic



Magic eBook Review: Time Travel Manual

Monday, March 14th, 2011

Time Travel Manual is a collection of 16 effects from 10 different contributors. Each effect is framed with a time travel presentation. It’s a fairly large eBook containing 100 pages. As a result, I won’t detail each routine individually. Instead, I’ll give you my thoughts on a few of the items.

Time Travel Manual Magic bookBack to the Future (John Zandman)- This is a unique presentation for a very simple effect. At its core, this is a simple prediction of a selected card, but John makes this play as a little more. The spectator holds onto a blank piece of paper between her hands. She selects a card and commits it to memory.

She then imagines traveling back in time and whispering the identiy of the card to the magician. She tells you to write down the name of the card on a piece of paper and to hand it to her at some point in the future. The attention is brought back to the paper she has been holding the entire time. She lifts her hand to see that the name of her selection is now written on the paper.

There’s nothing new here in terms of method, but the presentation is quite nice. It elevates a simple card trick to a much greater experience.

Time Travel Q&A (John Zandman)- This is a confabulaion type of routine where the spectator answers three questions and then removes an envelope from under her seat. Inside the envelope is a piece of paper with all of her answers written on it. Due to the presentation, this isn’t treated as a prediction. Rather the envelope was supposedly placed there after the show once he had asked the volunteer the questions.

Most people will probably be disappointed with the method, although it has stood the test of time for generations of mentalists. If you’re new to mentalism, however, you will need to do some additional research to figure out all of the details. The author assumes that you already have access to the required gimmicks or at least knowledge of other ways of obtaining the information secretly.

A.I.R. (Don Theo III)- The performer writes something down on a slip of paper, folds it up, and tables it. He asks the volunteer to imagine she is traveling in a time machine to a specific date in the following year. She announces the date (she has a completely free choice.) The performer asks if she knows what day of the week this date falls on. He pulls out a pocket calendar and asks her to look it up. Let’s suppose her date lands on a Thursday. The slip of paper is unfolded to reveal the word ‘Thursday’ written on it.

The effect and method are both very simple, but it will take some advanced preparation. When it comes down to it, this is simply a prediction of a free choice of one out of seven. That being said, it’s probably best suited for an opener.

Paradox Card (Greg Arce)- A face down card is placed on the table. The magician claims that this card can’t really exist, because it’s a ‘paradox card.’ Another card is selected and signed. It vanishes from the deck. The card on the table is revealed to be the selection.

The magician pulls a card out of his pocket. As he replaces it, he announces that it also cannot exist. A corner is torn off of the signed selection, and it is lost in the deck. The card from the pocket is shown again. It is now missing a corner. Of course, it is the spectator’s signed card.

The idea of the effect is a good one. However, both times that the ‘paradox card’ is revealed to be the spectator’s selection, it must be brought in contact with the deck. This is the worst possible time for this to occur, and there is no motivation offered for doing so. Card guys will be able to find alternate methods for performing the same trick in a more convincing fashion, but the handling offered here leaves something to be desired.

The Time Traveler (Greg Arce)- This isn’t really a magic effect. In fact, it’s not really much of anything. The idea is to convince a cashier that they are stuck in some sort of a time loop. Unfortunately, I doubt they would really understand what was going on. To make matters worse, this involves going to a store where the same person is working the cash register on two or three separate occasions. It’s a funny thing to read, but I doubt anyone would actually ever take the time or energy to try this out, especially when there is little reward for doing so.

H.G. Wells (Sean Waters)- The performer borrows a one, five, ten, and twenty dollar bill. The bills are folded and sealed in pay envelopes by the volunteers. All but one of the envelopes are placed on the table so that no one except the performer knows which one is which. A volunteer from the audience correctly guesses the value of the bill in the final envelope.

Next, the magician steps far away as the volunteer chooses any one of the other envelopes and takes out the bill inside. The performer divines the denomination, the year it was printed, and the exact serial number.

The method is very simple, although it may take a little effort to obtain the necessary materials. One piece of the routine may come across as a little transparent, but experienced mentalists will have other methods for the required action. If you find a handling that you’re comfortable with, the effect really does pack flat and play big.

The Pendulum’s Past (Nick Belleas)- A spectator holds a pendulum over five small envelopes. The performer says that each envelope contains a picture. All but one of these pictures are of something from the present time. The last picture is of something from the past. The spectator continues to hold the pendulum until they are drawn to one envelope. All of the envelopes are opened to reveal the pictures inside. Of course, the spectator was drawn to the one picture of something from the past. The method is super simple, but I fear it would be a bit transparent. The objects cannot be examined after the trick.

While I don’t think that the spectators will really be convinced of time travel after witnessing any of these effects, the theatrical premise of altering the fabric of time is appealing. Regarding the routines, there were a few standout items. For the $50 price tag, however, many of the items fall far short of expectations.

Not recommended.

-Available for $50 from www.Lybrary.com



2011 Lecture Tour- Baltimore, MD

Saturday, March 12th, 2011

Baltimore was the final stop of the tour where I lectured at the Denny and Lee Magic Studio. The shop is stocked with hundreds of books, DVDs, and tricks. It even has a pet pig… I’m not kidding. Denny Haney is one of those old school kind of dealers who seems to really care about his customers. He’ll give you his honest opinion about a product even if it means losing a sale. He won’t let you buy something that he thinks in crap. Overall, the shop was awesome. I wish we had something like that in Indianapolis.

Howie Schwartzman attended the lecture which was a treat. Unfortunately, I didn’t get to see him do anything, but he gave me some nice comments afterward. I also got to briefly meet a few “Pebbleheads” that I knew from an online forum I frequent.

Eric Jones came to hang out before and after the lecture. I’m sure you’re already familiar with his work (which is stellar, by the way). If not, you really need to see his stuff. He’s a master technician, a creative thinker, and one of the nicest guys in magic. During the break he was showing the guys some of his stuff. We were all amazed at his material. I even joked during the second half that if anyone bought any of my books, Eric would be happy to sign it afterward.

When the lecture wrapped up, Eric was kind enough to show me a new Two Card Transpo routine he had been working on. It looks great. The second change, in particular, is an eye popper. Check it out:

Just before we were about to leave, Denny mentioned that he wanted to show me one more trick. I sat down to witness the filthiest card trick I could ever imagine. You though the Aristocrats was bad… yeesh!

Thanks to everyone who made my time on the road such a great experience. Thanks especially to Ben Train for setting everything up and showing me a good time in each city. I had such an awesome time and can’t wait to do it again. I will leave you with one last video from the road: Ben Train performing one of his small miracles.



2011 Lecture Tour- Philadelphia, PA

Thursday, March 10th, 2011

After some more GPS issues, we arrived in Philadelphia, PA for my lecture at Marc DeSouza’s place. We still had a little time to eat before it was scheduled to start, so Marc and Steve Friedberg took us out for authentic Philly Cheesesteaks. They were AWESOME by the way!

Marc actually lives in King of Prussia, PA (a suburb of Philly), but I like to call it Magic Heaven. His place is amazing; it’s like a magic museum. Posters and handwritten letters from famous magicians line his walls. He has so many, in fact, that he has to rotate this art. There are thousands of books, videos, DVDs, lecture notes, playing cards… you name it and he has it. Vintage props from famous conjurers are on display. It is a one of a kind sight.

But that’s just the beginning. Upon passing through his magic collection, you enter his personal 30-40 seat theater complete with tiered seating. There is a also a full video and music editing area at the back. It is fully wired for sound, theatrical lighting, and it even has a 10 foot drop down projection screen. It was unlike anything I’d ever seen!

The lecture went very well. I got to meet another group of really cool guys including Sergio Cedron, a Casino dealer and sleight of hand expert. Here are a couple of really cool things he showed us.

After the lecture, we all went out for a bite and I was treated to more great magic by Steve Friedberg, Chris Carr, and Jason McCully among others. Ben and I had swore we were going to go back to the hotel early that night to crash, but once the pasteboards were out, all bets were off. I have no regrets though. The guys in Philly were awesome.

We parted company with the other guys and headed to our hotel to check in. At this point it was about 3:00AM, and we had been on the road for 9 days or so. We also had spent most of those nights crashing on other people’s couches. I was totally looking forward to getting a good night’s sleep in a full sized bed……… but then we entered the Twilight Zone.

I dropped Ben off at the front door of the hotel to check us in. He came back out like 15 minutes later and told me that the lady working behind the counter was really messed up on something. She had been slurring her words and talking to herself while Ben was waiting patiently. I laughed it off and we carried our luggage up to the second floor, room 246. We inserted the key and…. nothing. We tried the other key card. Nothing again. Ben was smiling. Now it was my turn to meet the crazy woman downstairs.

I made my way down to the front desk but nobody was there. I banged on doors and yelled to get someone’s attention. I had no luck. I picked up a business card from the counter and dialed the number on my cell phone. I let the hotel phone ring and ring and ring… and ring… and ring…. and ring. After about 10 minutes a woman emerged from the door behind me. “Sorry,” she said. “I didn’t hear you.”

She pulled out her keys and attempted to open the door to get behind the counter. She was obviously having trouble. On the third key, she finally managed to open the door. She rounded the corner and SMACK! She stumbled right into a wall. I usually would try not to laugh at a thing like this, but Ben had me all psyched out. I held back my chuckles as best I could and handed her our room keys.

“You gave us keys to room 246, but they wouldn’t work.” She swiped the first card. “Oh, I can see how I did that. I should have told you room 264.” She paused. “I’m glad those didn’t work,” she slurred. “There’s people in that room, ha ha.”

She swiped the second card. “Ha, ha, ha. I don’t know what I was thinking with this one. It says room 268.” I tried not to laugh. “No problem,” I said. “We just need a key that works.” She re-swiped the cards for our new room, 264.

When I made it back up to Ben, I was smiling from ear to ear. We moved to our new room and tried the new key. We were in luck; the door opened. When we stepped inside, however, we noticed that the beds weren’t made, towels were still on the floor, and someone’s stuff was still in the room. At this point we both burst into laughter. A security guard came in right behind us. “You guys have to go back downstairs. There’s already people in this room.”

We went back down to the front desk and proceeded to have the most absurd interaction that I have ever had with another human being in my life. We were both laughing so hard we had tears in our eyes. Even this didn’t seem to phase her. “What are we on Candid Camera or something,” she asked innocently. This didn’t do anything to stop my laughing.

“What are your names again?” she asked. “My name is Ben Train and this is Caleb Wiles. We should have a room with two beds that was paid for in advance,” Ben replied. He was the only one of us capable of getting a full sentence out at this point. I was too busy folded over laughing with tears in my eyes. “So, you’re not Joe Smith?” she said. “Oh wait, he’s in room 154.” My side was hurting. “And you’re not Brian Jones? Oh no, he’s in 157.”

Was this lady kidding us? I swore Ashton Kutcher was going to come through the door at any minute. We wrote down our names on the back of a business card hoping that visually seeing our names would help her remember.

“Who’s credit card did you give me?” she asked. Ben’s simple reply: “One that I regret.” I thought I was going to explode. She finally came to the conclusion that she had already checked us in even though we had just arrived. She had to send the security guard up to a third room to make sure that no people were there before we finally got a chance to crash. Keep in mind that it was 3:30 in the morning at this point.

It was such a ridiculous experience, but was totally worth it for the road story.



2011 Lecture Tour: New York City (part 2)

Wednesday, March 9th, 2011

One of the highlights from our visit to New York was the tour of the Conjuring Arts Research Center given to us by Ricky Smith. (It was super cool to see a copy of High Spots sitting on the shelf there.) Ricky is a one of a kind individual with a killer sense of humor. He’s also a find card man. He invited Ben and I to perform for a few people around the office. Here’s Ben’s performance:

After leaving Conjuring Arts we made our way to the Museum of Modern Art. Unfortunately it was closed, but we did spend about an hour in the gift shop. Go figure.

The lecture was later that night for SAM Parent Assembly #1. A great group of guys showed up to take part in the fun. My favorite part was during my explanation of Holy BLANK when I started to explain Ken Krenzel’s Monte Plus Move… with Ken Krenzel sitting in the front row.

Asi Wind attended as well and stuck around for dinner afterward. Asi is one of my new favorite magicians. I had the opportunity to interact with him briefly a few weeks ago at the Magifest Convention. He gave an extremely good lecture. I bought everything he had for sale. I highly recommend his Switcher gimmick.

I also had the chance to meet Doug McKenzie who is David Blaine’s head consultant. He is famous for stealing former New York Mayor Rudy Giuliani’s watch in front of his security detail. The watch was later auctioned back to Mayor Giuliani to raise money for charity. At dinner, Doug show us some amazing and sophisticated memorized deck material… he also ate a lit cigarette. What a cool guy.

I really enjoyed spending time with all of the guys in New York including Alex Pandrea, Joshua Jay, and a whole host of others. By the way, Josh is busy working on his new one man show at the moment. He is such a creative thinker and a really hard worker. So much thought has gone into this new production. It’s going to be amazing. Alex is busy working on a brand new magic website called The Blue Crown. Check it out when you get a chance.

Tomorrow, I’ll post videos from our travels to Philadelphia, PA.



2011 Lecture Tour- New York City

Tuesday, March 8th, 2011

New York City was one of the coolest stops on the tour. Tony Chang was a great host. We got a chance to crash at his place and see some really cool magic. He also took us to some amazing restaurants around the city. I only knew Tony from our interactions on the internet magic forums and the videos he posts to his blog. It was nice to finally meet him in person. He’s a funny guy with some amazing chops.

What’s great about Tony is that even though he focuses on some pretty difficult sleight of hand, he always has his audience at the top of his mind. As much as I liked hanging out with him myself, the best moment was seeing him perform for a group of laymen late at night at the bar. Before we left for Philadelphia, Tony was kind enough to let me film him doing one of my favorite tricks of his to share with all of you. Take a look:

We visited Tannen’s Magic Shop as well as Fantasma Magic where David freakin’ Roth was demonstrating at the counter. At Fantasma I also had the chance to meet Doug Edwards. He was a fun guy to hang around and he showed me this really cool move that could be used at the card table just as easily as it could be used in a magic trick. Basically, it’s just an add-on of the Aces. But it looks completely natural and invisible. Here’s the real work as they say:

Eric Hu was another cool guy we spent a lot of time with in New York. He showed me his version of John Guastaferro’s “Tailspin” and I just had to have it for the blog. I really like his “mystery cards” presentation. It changes the effect from a normal “twisting” routine to more of a transposition. It also motivates one of the phases perfectly. Ok, enough talk, let’s check out the performance.

I’ve got more videos from New York. I’ll try to post them tomorrow.



2011 Lecture Tour- Montreal

Sunday, March 6th, 2011

In the cities leading up to our trip to Montreal, I heard two things from most people I talked to:
1. Montreal is very “European”
2. Try the poutine

After some GPS issues, Ben and I arrived to meet up with Derrick Chung for a late lunch in Chinatown. Derrick had asked me before we arrived what kind of places I would like to eat at. I told him that I didn’t care but I wanted to be adventurous. The next thing I know we’re entering an authentic Vietnamese restaurant (another first for me) and ordering snail soup. I was excited to give it a try even though I was really only doing it for the experience. When it arrived, however, I thought it was awesome! This city was off to a great start.

We met up later with Grant McSorley who I only knew through a magic forum we both frequent. Even though he had never met me, he was cool enough to let me crash at his place for a couple of days. Is it just me, or are magicians way too trusting? :) We watched a few magic DVDs, laughed at his cat (Jerome McGreggor), and sessioned until early into the next morning. Grant had a bunch of cool things to show. I’m constantly amazed that I can spend SO much time studying card magic and still see things that are new to me. It was a lot of fun.

Montreal poutineWe did the lecture the next day for a great group of magicians. I got the chance to meet Yves Tourigny, Ekaterina, and many others. And yes, I did get a chance to try the poutine. For those not familiar with it, poutine is a dish consisting of French fries topped with fresh cheese curds and covered with brown gravy. Sounds yummy, doesn’t it? Let’s just say that I would much prefer the snail soup.

I’ll be back tomorrow with tales (and videos) from my time spent in New York City.



2011 Lecture Tour- Ottawa

Friday, March 4th, 2011

After leaving Toronto, Ben and I headed to Ottawa to hang out with Eric Leclerc. He’s an amazing magician and a really cool guy. I was first introduced to Eric’s magic when he was featured on Jay Sankey’s Underground Jam DVD. For my money, Eric was the standout performer for sure. I immediately added his “Final Cap in Bottle” to my repertoire.

Then, in 2011, Eric began a project 365 video blog on youtube where he posts a new magic trick every single day. I’ve already talked about Calen Morelli’s 365 project, but Eric’s goals are completely different. While Calen’s videos are geared towards magicians, Eric’s efforts are aimed at laymen. He does a great job of keeping each episode entertaining and his personality really comes across. Make sure to SUBSCRIBE to Eric’s youtube page to watch each episode.

While we were jamming after the lecture, Eric asked me if I would be interested in filming something for his project. I chose to perform one of my favorite effects, Holy BLANK. Check out my performance below and you’ll also be treated to a few chords played by the one and only Ben Train.

If you want to learn more about Holy BLANK, please visit my PRODUCT PAGE.

Blog Headlines

Not magic… but magical: Pilobolus Dance Theatre “Shadowland”

New Genii Magazine Column

Some of you may have seen Richard Kaufman announce in the most recent issue of Genii magazine that I

Caleb on Twitter

Email Newsletter

join our email list
* indicates required

Connect with me: